Beiträge getagged mit 2d
Meanwhile…
Verfasst von Nils Eckhardt unter Doodles, Skizzenblog am 18. März 2012
…I’m working on several projects the next few weeks. So it will take some time before I can post new pictuers.
But I found some old stuff, worth to show you. These are some drypoint prints I produced within my studies in Hamburg. Hope you like it…
Character sketches
Verfasst von Nils Eckhardt unter Doodles, Skizzenblog am 9. März 2012
Violá! I did these doodles in preparation for storyboarding the ProSieben Superheroes Campagne.
Actually, they weren’t used for the project but anyhow look good enough to me for posting them here.
Animationboard for ProSieben Superheroes
Verfasst von Nils Eckhardt unter Skizzenblog am 23. Dezember 2011
For the current Superheroes Campagne on ProSieben I did the animationboards.
Directed by Alexander Krause, executive production company of the spots is TRIXTER and marvelous Alexander Lozano did the great characterdesign.
You can watch all spots on the ProSieben-Homepage or a montage on Vimeo.
There is a spot with Lenny Kravitz, one with Stefan Raab and Steven Gätjen, Annemarie Warnkross got her own and one with Stefan Gödde and Lena Gercke.
Old School: Black Book Two
Verfasst von Nils Eckhardt unter Doodles, Skizzenblog am 4. Juni 2011
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Here is some more old stuff:
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I made this one in my room at home. See my tag on the bottom left? CZA (spell "ceesa"), which means Comic Ztyle Art (smart again, isn't it?).
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Old School: Black Book One
Verfasst von Nils Eckhardt unter Doodles, Skizzenblog am 21. Mai 2011
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Recently, while searching for some of my typography stuff because I had to design the logo for a game, I stumbled across my old black books. It was fun to watch all the graffiti sketches and characters I designed those days – almost 20 years ago now…
It’ll take a few more months before I can show you pictures of my current projects, so I decided to put some of my early works here. Watch out for more.
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This should be a tribute to Bob Kane, the creator of Batman. But in fact it never made it upon a wall...
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The next few images show the process of a graffiti the way I did it:
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“Die wilden Felder und der Krieger” auf DVD
Verfasst von Nils Eckhardt unter Die wilden Felder, Skizzenblog am 29. Januar 2011
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Mein Animationskurzfilm ist jetzt auch auf DVD erhältlich.
Er kann im Online-Shop der Autorin Moon Suk bestellt werden.
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Die wilden Felder in HD
Verfasst von Nils Eckhardt unter Die wilden Felder, Skizzenblog am 8. Januar 2011
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Watch also the english subtitled version.
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Watch “Die wilden Felder und der Krieger” online
Verfasst von Nils Eckhardt unter Die wilden Felder, Skizzenblog am 22. Dezember 2010
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Finally…
Enjoy!
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You can also watch it as The wild fields and the warrior with english subtitles.
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The creation of “Die wilden Felder und der Krieger” – Part 6
Verfasst von Nils Eckhardt unter Die wilden Felder, Skizzenblog am 18. Dezember 2010
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Setdesign
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As I mentioned before, The wild fields and the warrior is divided in two narrative levels, which I had to seperate visaully.
Below, you can see some images of the setdesign. In this step I defined the coloration, the lighting and tested a little bit concerning the textures, which I generated at last with some digitised structures of paper.
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The creation of “Die wilden Felder und der Krieger” – Part 5
Verfasst von Nils Eckhardt unter Die wilden Felder, Skizzenblog am 10. Dezember 2010
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Design- and early linetests
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At some point of the production it turned out that I would need two narrative levels.
One part should be animated in a classical frame-by-frame style. In those parts the story would be told only by the warriors acting (except of the dormouse and the crows of course as I mentioned before).
In the other part a narrator had to tell the story. It should help me to submit the more complicated contexts of the plot. Only in here the figures of the fields appear and I decided to animate those parts in a cross-fading technique and fit it together in After Effects. This had the useful sideeffect of not needing to animate the fields frame by frame which would have been very complex.
I was trying different materials and techniques. The sequences of the warrior should look like they were inked on paper. I chose a monochrome coloration for that.
The cross-fading parts should be a little bit more colourful and I wanted to have some more depth in the pictures. So I decided to split the screen into different layers which I used like theater culisses and inserted some camera movements to further the plasticity of the scenes.
To manage a smooth transition from one narrative level into another, I had to come up with some special actions in which something or somebody covers the camera for a moment.
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Designtest with ink and pencil, 2005
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Designtest with marker and pencil, 2005
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